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HERKENHOFF, P. Maria Bonomi – Balada do Terror. (With statement by Maria Bonomi given to Oswaldo Mendes, Jornal Última Hora, 1971, and text by Paulo Herkenhoff, “The art of Contemporary Brazil,” Washington, DC, 1993). São Paulo, n/d.

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The Memory and Poetics of Maria Bonomi – A Social Discourse

1Doctor in Visual Arts, School of Communication and Arts, Universidade de São Paulo – ECA USP, Specialist in Universit, Cooperation and Extension, Museu de Arte Contemporânea – MAC USP


American Journal of Educational Research. 2014, Vol. 2 No. 2, 78-83
DOI: 10.12691/education-2-2-3
Copyright © 2014 Science and Education Publishing

Cite this paper:
Alecsandra Matias de Oliveira. The Memory and Poetics of Maria Bonomi – A Social Discourse. American Journal of Educational Research. 2014; 2(2):78-83. doi: 10.12691/education-2-2-3.

Correspondence to: Alecsandra  Matias de Oliveira, Doctor in Visual Arts, School of Communication and Arts, Universidade de São Paulo – ECA USP, Specialist in Universit, Cooperation and Extension, Museu de Arte Contemporânea – MAC USP. Email: alemaoli@usp.br

Abstract

This study deals with the relations between memory and art, especially the contemporary art seen in architectural monuments in the city of São Paulo. With this aim, the art history and its aesthetic developments are used as a tool for the research, focusing on the poetics of memories by Maria Bonomi one of the most important artists of the national artistic circuit.

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