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Bui, B. H., “Absurd complex in poetic world of To Thuy Yen”, Journal of Science & Education, University of Education, University of Danang, 5(4A), 7-14, 2015.

has been cited by the following article:

Article

The Ego that Dedicated to Freedom in the Poetic World of Bui Giang

1The University of Danang - University of Science and Education, Da Nang city, Vietnam


World Journal of Social Sciences and Humanities. 2021, Vol. 7 No. 3, 117-125
DOI: 10.12691/wjssh-7-3-4
Copyright © 2021 Science and Education Publishing

Cite this paper:
Bui Bich Hanh. The Ego that Dedicated to Freedom in the Poetic World of Bui Giang. World Journal of Social Sciences and Humanities. 2021; 7(3):117-125. doi: 10.12691/wjssh-7-3-4.

Correspondence to: Bui  Bich Hanh, The University of Danang - University of Science and Education, Da Nang city, Vietnam. Email: bbhanh@ued.udn.vn

Abstract

Participating in as a sideliner, Bui Giang was strange in both his thought and poetry. For him, a poet did not express his thought and self in poetry, but poetry was itself. The denial of expression status of the language was a concept that "poetry was like aesthetics of another", where poetry or thing in poetry was what was signified. It meant that Bui Giang freed the artist from the constraints of language. Only when freedom and liberation must go above and beyond the fetters of words, a poet could be completely free in the meta-language of the poetic world. According to the assessment of many literary researchers and critics, Bui Giang's poetry brought the spirit of postmodern poetry through the confused and cynical language game to dedicate to freedom. From the theory and practice of the language game, Bui Giang gradually rejected the status of "a sideliner" to put the "periphery" into the "center", forming a human migration of a "minority" line of poetry.

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