<?xml version="1.0" encoding="UTF-8"?>
<records>
<record>
<language>eng</language>
<publisher>Science and Education Publishing</publisher>
<journalTitle>Journal of Linguistics and Literature</journalTitle>
<publicationDate>2020-12-03</publicationDate>
<volume>4</volume>
<issue>2</issue>
<startPage>85</startPage>
<endPage>89</endPage>
<doi>10.12691/jll-4-2-6</doi>
<publisherRecordId>JLL2020426</publisherRecordId>
<documentType>article</documentType>
<title language="eng">The Modernity of Emily Dickinson¡¯s Poem I'm Nobody! Who are you?</title>
<authors>
<author>
<name>Min Peng</name>
<email>yumipeng0310@163.com; pengmin@mail.ynu.edu.cn</email>
<affiliationId>1</affiliationId>
</author>
</authors>
<affiliationsList>
<affiliationName affiliationId="1">School of Foreign Languages, Yunnan University, Kunming, China</affiliationName>

</affiliationsList>
<abstract language="eng">Emily Dickinson is a world-renowned American poet. She enjoys equal popularity with Walt Whitman and leaves around 1,800 poems after death. Her unique poetic thoughts and styles blaze a trail in modernism, providing the later modernists with splendid enlightenment. Under the guideline of R&#233;ne Wellek¡¯s concepts of criticism, this paper examines the modernity of Emily Dickinson¡¯s I¡¯m Nobody! Who are you? with echoes of the ¡°Nobody¡± emerging from the Covid-19 outbreak, aiming to illuminate the modernity of classical literature and its eternal implications even in contemporary society.</abstract>
<fullTextUrl format="pdf">http://pubs.sciepub.com/jll/4/2/6/jll-4-2-6.pdf</fullTextUrl>
<keywords language="eng"><keyword>emily dickinson</keyword>
<keyword>modernity</keyword>
<keyword>concepts of criticism</keyword>
<keyword>the Covid-19</keyword>
<keyword>I'm Nobody! Who are you?</keyword>
</keywords>
</record>
</records>
