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World Journal of Social Sciences and Humanities. 2021, 7(3), 117-125
DOI: 10.12691/wjssh-7-3-4
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The Ego that Dedicated to Freedom in the Poetic World of Bui Giang

Bui Bich Hanh1,

1The University of Danang - University of Science and Education, Da Nang city, Vietnam

Pub. Date: September 27, 2021

Cite this paper:
Bui Bich Hanh. The Ego that Dedicated to Freedom in the Poetic World of Bui Giang. World Journal of Social Sciences and Humanities. 2021; 7(3):117-125. doi: 10.12691/wjssh-7-3-4


Participating in as a sideliner, Bui Giang was strange in both his thought and poetry. For him, a poet did not express his thought and self in poetry, but poetry was itself. The denial of expression status of the language was a concept that "poetry was like aesthetics of another", where poetry or thing in poetry was what was signified. It meant that Bui Giang freed the artist from the constraints of language. Only when freedom and liberation must go above and beyond the fetters of words, a poet could be completely free in the meta-language of the poetic world. According to the assessment of many literary researchers and critics, Bui Giang's poetry brought the spirit of postmodern poetry through the confused and cynical language game to dedicate to freedom. From the theory and practice of the language game, Bui Giang gradually rejected the status of "a sideliner" to put the "periphery" into the "center", forming a human migration of a "minority" line of poetry.

ego being existential freedom Bui Giang

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