[1] | Aristotle. (2000). Poetics. In C. Kaplan and W.D. Anderson (Eds) Criticism: Major Statements. (pp. 18-46). Boston: Bedford St. Martin’s. |
|
[2] | Banjo, A. (2013). The Deteriorating Use of English in Nigeria. In Akinjobi, A. (Eds) English Language Clinic Lecture Series 1-5 And Correction to Common Errors Vol. 1. (pp. 2-29). Ibadan: University of Ibadan English Language Clinic Programmes. |
|
[3] | Brocket, G.O. (1995). History of the Theatre. Boston: A Simon and Schuster Company. |
|
[4] | Derrida, J. (1988). Structure, Sign and Play in the Discourse of Human Sciences. In D. Lodge (Ed) Modern Criticism and Theory: A Reader. (pp107-123). London: Longman. |
|
[5] | Eliot T.S. (2000). Tradition and the Individual Talent. In C. Kaplan (Ed) Criticism; Major Statements. (pp.404-410). New York: Bedford St. Martin’s. |
|
[6] | Inegbe, S. (2005). Acting: Schools and Registers. In J. Effiong (Ed), The Art of Acting: A Student-friendly Anthology. (pp. 109-127). Lagos: Concept Publications. |
|
[7] | McCulloch, G. (1994). Using Sartre: An analytical Introduction to Early Sartrean Themes. London: Routledge. |
|
[8] | Okegbile, D. (2012). 170 Years of the Church in Nigeria: Uniting Nigerian Church in 24 Hours Ecumenical Intercessory Prayers. Ibadan: Oluseyi Press Limited. |
|
[9] | Ojoniyi, B. 2014. ‘Exploring “Dialectical Text Consciousness” in Acting for Quality Assurance” in Akoh, A.D. (Ed). Nigerian Theatre Journal: A Journal of the Society of Nigeria Theatre Vol. 13, No. 1-2014. (pp. 116-183). Maiduguri: Society of Nigerian Theatre Artists. |
|
[10] | Ojoniyi, B. (2013). “Courting the Gender Saints: A Deconstruction of Zikky Kofoworola’s Queen Ghasengeh” in Asuine Lukky (Ed). Selected Discourses in African Studies: Gender, Women & Society. (pp 97-114). Germany: LAP Lambert Academic Publishing. |
|
[11] | Ojoniyi, B. (2010). The Infidel and the Blood Suckers. Ilara: Decalogue Publishers. |
|
[12] | Ojoniyi, B. (2010). The Primate and the Lost Clergy. Ilara: Decalogue Publishers. |
|
[13] | Ojoniyi, B. (2008). Issues in Wole Soyinka’s Existential Self-Apprehension: Madmen, Destiny and Playwrights. Ibadan: Penthouse Publication (Nig). |
|
[14] | Soyinka, W. (1976). Myth, Literature and the African World. London: Cambridge University Press. |
|
[15] | Stanley, K. (1962). Introduction to Acting: Second Edition. Boston: Allyn and Baccon, Inc. |
|
[16] | Ubong, N. (2005). Acting: Yesterday, Today and Tomorrow. In J. Effiong (Ed), The Art of Acting: A Student-friendly Anthology. (pp. 35-59). Lagos: Concept Publications. Panaf Publishing Inc. |
|
[17] | Wolfgang, I. (1988). The Reading Process: A Phenomenological Approach. In D. Lodge (Ed), Modern Criticism and Theory: A reader. (pp.211-228).London: Longman. |
|
[18] | Yerima, A. (2013). Heart of Stone. Ibadan: Kraft Books. |
|